|Course Length:||3 Years Full-Time|
|Start Dates:||September 2017, September 2018|
|Department:||Department of Performing Arts|
|Location:||Edge Hill University|
- English at Edge Hill University ranked in the top two in the North West for learning resources in the National Student Survey 2016;
- Learn to create, collaborate and reflect critically on historical and contemporary theatre practices;
- Discover a range of literary periods, topics and genres and gain a key set of communication skills which are highly valued by employers.
Combining the study of Drama and English Literature, this degree enables you to experience a thorough and broad-based education for the drama and theatre maker of the future while also seeking inspiration from literature, from classic to contemporary works. The programme balances practical creativity with technique enhancement and dramatic theory alongside an introduction to a range of theoretical and critical approaches to literature. If you are passionate about embracing the written word on the page and expressing yourself through acting, directing, writing or applied drama, this degree will develop your artistic skills and vision in professional theatre spaces while also harnessing your love of language to explore the ideas that lie behind literature in all its forms and investigate the impact of literature on societies.
My BA (Hons) in Drama and English Literature is a combined honours degree which has allowed me to make lots of friends from different courses and get to know a lot about the University.
Course in Depth
What will I study?
In Year 1 you will acquire a foundation knowledge of the art of the actor and of staging play-texts and you will develop the practical techniques and skills expected of a reflective drama and theatre practitioner. You will also be introduced to a range of methodological, critical and theoretical approaches to reading literature, as well as historical and generic perspectives.
Year 2 enhances your knowledge and understanding of key practitioners and movements in drama in the modern era, engaging you with important ideas about the history, politics and culture of modern drama, while continuing to enhance your practical performance skills and theatrical awareness through production work. There is also a focus on developing your knowledge of Renaissance literature and drama, Romanticism and Restoration era poetry and prose. You can choose from a wide range of English Literature modules which reflect particular staff interests and research specialisms.
In Year 3 you will advance your knowledge and understanding of contemporary dramatic and theatrical practice. You will explore contemporary theatre ensembles, create your own theatre manifesto, and engage in the making of a drama dissertation project. Advancing your knowledge of Victorian literature, the Modernist and contemporary periods, further specialism is possible with an additional selection of English Literature modules which cover a diverse range of themes.
How will I study?
Performing Arts modules are delivered through a combination of lectures, seminars, practical workshop classes, production projects, independent ensemble work and personal research. This will equip you with critical and creative skills which will be of use in a wide range of future careers. Alongside your study programme, you will engage in careers sessions, prepare practice CVs for employment, and be supported by dedicated sessions in personal development planning.
Tutorials and workshops provide an opportunity to study a wide range of plays and to interrogate ideas in the history, theory and practice of drama and theatre. Full-scale production courses provide the opportunity to develop your practical skills and test your knowledge and understanding of live theatre in front of audiences in fully-equipped professional theatre spaces.
Teaching and learning for English Literature modules includes lectures and seminars, workshops, group activities, independent research and our online Virtual Learning Environment (VLE). As well as module and seminar tutors, personal tutors and year tutors will support you through your studies.
How will I be assessed?
Drama modules are assessed through a mixture of practical and written work including essays, portfolios, seminar presentations, workshop performances, full-scale productions and vivas. You will be required to reflect on your learning in each assessment and summarise your development regularly.
Assessment of English Literature modules involves a mixture of coursework and examinations with emphasis placed on work produced in your own time or formally presented in class. Typically, you can expect to be assessed on essays, short analyses, reports and close readings, oral presentations and group work.
Who will be teaching me?
The Performing Arts team work closely together in an acknowledgement of the collaborative nature of performance. The team of academics, professional practitioners and technical staff, together with a range of part-time industry professionals and academic specialists, offer a wide range of learning experiences.
Our dedicated and enthusiastic team of English Literature tutors are active in research in all taught subject areas, publishing books and articles on a regular basis. Several have been successful in winning national research awards from bodies such as the British Academy, the Arts and Humanities Research Council and The Leverhulme Trust.
A Great Study Environment
Performing Arts students at Edge Hill University enjoy industry-standard teaching and learning facilities. The £7million redeveloped Arts Centre houses the University’s Performing Arts Department in addition to the Rose and Studio Theatres.
The department’s outstanding resources ensure you gain practical experience to a professional standard. Contemporary performance environments include dance studios, black box drama studios, rehearsal rooms, a theatre construction workshop, costume construction workshop, scene dock, theatre design studios, digital sound studio, digital design suite, music technology room, music practice studios, a recital room and an outdoor amphitheatre. The Studio Theatre also functions as a fully-equipped aerial performance space.
The Arts Centre hosts a diverse range of high quality productions and performers, including comedy, dance, drama and music, designed to supplement Performing Arts programmes and entertain both students and the local community.
DRA1103 Introducing the Art of the Actor: Text, Voice, Chorus (20 credits)
Introducing the Art of the Actor: Text, Voice, Chorus is an introductory practical exploration of the art of the theatre actor in a number of different historical and cultural contexts, ranging from ancient times to the dawn of the modern age of drama. The module provides a creative environment in which your own performance awareness of the art of the actor through theatre history can be developed.
DRA1104 Staging the Play: Text into Action (20 credits)
Staging the Play: Text into Action provides a performance laboratory environment in which you will experience the creation of small-scale practical production projects, transforming play-texts into dramatic action, and culminating in the presentation of performance texts to an audience. You will explore traditional and innovative approaches to rehearsal and theatrical performance, enhance your improvisational, rehearsal and performance techniques, and collaborate as part of a creative group. Through the practice of making theatre, your theoretical understanding of dramatic performance will be broadened and changed and your awareness of the processes that turn text into action will be developed.
LIT1020 Ways of Reading (20 credits)
Ways of Reading provides an overview of the skills and approaches necessary for the interpretation and evaluation of poetry, prose and drama. You will be introduced to a range of influential critical theories to literary texts from the early and mid 20th century. The module also encourages you to make practical applications of these approaches to the primary literary texts.
LIT1021 Critical Theories (20 credits)
Critical Theories is based around the study of critical essays which have had a lasting impact on literary studies. The module introduces you to significant and contemporaneous ideas in literary criticism which scholars still implement in the 21st century. The content of the module has been selected to highlight the difference in literary studies between reading for understanding and interpretive readings.
LIT1022 Introduction to Literary Periods and Genres 1 (20 credits)
Introduction to Literary Periods and Genres 1 focuses on the study of periodicity and genre. Beginning with contemporary poetry and short stories, the module will work backwards chronologically, also introducing you to the Victorian novel and to Victorian drama, utilising an array of critical and contextual approaches to literature.
You will select one of the following modules:
DRA1101 Drama, Theatre and the Idea of the Play: Concepts, Cultures, Contexts (20 credits)
Drama, Theatre and the Idea of the Play: Concepts, Cultures, Contexts provides different learning environments in which you will begin your essential theoretical and historical study of drama. You will focus broadly upon the rise of Western European practices but draw on contextual examples and theoretical perspectives from around the world. The module defines fundamental concepts, examines theoretical perspectives and explores diverse practices in the field of drama, subjecting each to critical scrutiny. The module addresses, at an introductory level, the challenge of dramatic theory and its impact on our understanding of practice, seeking preliminary answers to some fundamental questions: What is drama? How did it originate and develop? How does it work? What is it for? Why do we need it? The module focuses especially on the nature and evolution of dramatic form, confronting the range of dramatic genres and styles as they appear in both historical and contemporary examples of the dramatic text.
DRA1106 Drama Technique Workshops 1: Basic Practical Skills Development (20 credits)
Drama Technique Workshops 1: Basic Practical Skills Development enhances your skills as a reflective practitioner in practical workshop environments. The module will focus on the foundation development of your acting technique and theatrical awareness. Integrating practice and theory, the module combines practical exercises with discussion, debate and research based tasks.
Language modules in French, Spanish or Mandarin, delivered at the Edge Hill Language Centre, are available to study as an integral part of this degree. A single Language module can be studied instead of either DRA1101 Drama, Theatre and the Idea of the Play: Concepts, Cultures, Contexts, DRA1106 Drama Technique Workshops 1: Basic Practical Skills Development or LIT1022 Introduction to Literary Periods and Genres 1.
DRA2102 Modern Theatre Practitioners: Principles, Practices, Purposes (20 credits)
Modern Theatre Practitioners: Principles, Practices, Purposes focuses principally on Western drama to examine the role played by key theatre practitioners in the developmental story of drama in the modern period (from the mid-19th century to the mid-20th century). You will explore the ideas, aims, beliefs and strategies of key practitioners and interrogate the principles, practices and purposes at the heart of their work.
DRA2104 The Making of Modern Theatre: Staging Classic Modern Plays (20 credits)
The Making of Modern Theatre: Staging Classic Modern Plays examines approaches to theatre production in the modern era. Focusing on key theatre practitioners in the history of Western modern drama, the module provides the opportunity for you to present work, as part of an ensemble, to an audience where the piece is informed stylistically by your study of modern practitioners’ ideas about acting, training, directing and the art of theatre production.
You will select one of the following modules:
DRA2101 The Modern Age of Drama: Forms, Movements, Modernity (20 credits)
The Modern Age of Drama: Forms, Movements, Modernity focuses principally on Western drama and examines the development of the idea of the play in the social and historical context of the modern age (from the mid-19th century to the mid-20th century). The module also investigates the position and role of drama within the diverse artistic movements arising in the period, and interrogates forms, movements and manifestos in order to find out what the dramatists of the modern era stood for, what purposes they believed the art of the modern theatre served, and what creative processes they went through in making work that spoke to and about modernity. The aim is to focus your critical and theoretical engagement on modern ideas about the play as a form, process and purposeful activity.
DRA2105 Imagining Better Worlds: Theatre, Learning and Development (20 credits)
Imagining Better Worlds: Theatre, Learning and Development examines the histories of performance interventions in local and global contexts and explores critically, using historical and contemporary case studies, the consequences and meanings of those interventions. There will also be opportunities for observation and practical experience of group creative projects. The module provides an essential introduction to creating performances and facilitating workshops in response to the identified needs of a specific community, a particular community grouping. You will experience and interrogate theatre practice in diverse cultural, social and political contexts as you focus on theatre making that takes place in a range of settings.
DRA2106 Drama Technique Workshops 2: Advanced Practical Skills Development (20 credits)
Drama Technique Workshops 2: Advanced Practical Skills Development enables you to enhance your skills as a reflective practitioner in a performance laboratory learning environment. You will focus on the advanced development of your acting technique and theatrical awareness in the context of the drama of the modern period. Integrating practice and theory, the module combines practical exercises with discussion, debate and research based tasks.
You will select two of the following modules:
LIT2040 Renaissance Literature: Self and Society (20 credits)
Renaissance Literature: Self and Society explores the poetry and prose of the English Renaissance (c.1450-1685), bringing these two generic disciplines together under a series of common themes. You will evaluate the remarkable literary output of the reigns of up to ten monarchs, beginning with the Tudors. The complexity and diversity of Renaissance writing will be acknowledged and the period problematised as much as it is defined. You will explore canonical and non-canonical literature by both male and female authors . Key themes into which the module will be separated may include life and death, education, the family, crime and punishment, class and social mobility, nationalism (which could include changing reactions to monarchical power), exploration, spiritual controversy, gender and sexuality, power and self-fashioning.
LIT2048 Renaissance Drama (20 credits)
Renaissance Drama explores the drama of the English Renaissance, a period of extraordinary civil and cultural change. The module evaluates the dramatic literary output of the reigns of up to ten monarchs beginning with the Tudors. The diversity of Renaissance drama will be acknowledged and the period problematised as much as it is defined. You will explore canonical and non-canonical drama by male and female authors. Central themes and concepts under study may include monarchy, rebellion, class, nationalism, religion, heresy, superstition, witchcraft, gender and sexuality, power and self-fashioning.
LIT2049 Literature 1660-1760 (20 credits)
Literature 1660-1760 provides a comprehensive introduction to texts, authors, genres and central themes from the Restoration in 1660 until the dawn of the Romantic period one hundred years later. Seeking to complicate and problematise critical concepts that have been increasingly challenged in recent decades, including ‘Augustanism’, ‘neo-classicism’ and ‘Enlightenment’, the module studies the notorious drama of the Restoration era, as well as a range of poetry, and the rise of the modern prose novel.
LIT2050 Romanticism (20 credits)
Romanticism provides an introduction to texts, authors, genres and central themes from the first stirrings of what has been traditionally conceived of as the Romantic age in the 1760s, until the dawn of the Victorian age seventy years later. Poetry, the prose essay and the novel are all studied on this module.
You will select one of the following modules. Alternatively, it may be possible to select this additional English Literature module from the remaining Year 2 options above.
LIT2027 Texts in Motion: Film Adaptation (20 credits)
Texts in Motion: Film Adaptation introduces you to film adaptation and to the discourses and methodologies relevant to a critical understanding of one of the most common textual practices in Western culture. The module focuses, predominantly, on filmic adaptation of literary precursors, but also incorporates a consideration of adaptations based on sequential art.
LIT2041 Literature Dissertation Project (20 credits)
Literature Dissertation Project provides an opportunity to study a topic of your choice in depth and develop your own ideas through individual research, culminating in the production of a 5,000-word long essay or ‘mini-dissertation’. The topic may develop a particular, pre-established interest or arise from a desire to study an issue or subject in more depth.
LIT2042 Literature and Globalisation (20 credits)
Literature and Globalisation recognises that as global forces are now seen to influence the local and the everyday, a global perspective is a necessary prerequisite to the study of literature. This module examines the relationship between contemporary literary production and the forces of globalisation. Drawing on relevant theoretical perspectives, consideration will be given to the ways in which writers address questions about the local and the global and the movement and flows of people and commodities. The module will examine both critical and literary responses to commodity culture and interrogate representations of migrants, exiles, and cosmopolitan and diasporic figures in a range of literatures in English.
LIT2043 Literatures of Conflict (20 credits)
Literatures of Conflict provides an opportunity to study the representation of war and conflict in a range of literary texts, situated in their historical and cultural contexts. In its exploration of the impact of warfare on literary form and content, the module seeks to understand how and why the representation of warfare has changed over time. The module will enhance your skills in close reading as well as furthering your understanding of relevant cultural and historical contexts.
LIT2044 About Love (20 credits)
About Love explores representations of romantic and/or sexual love in texts written, or set, in Anglo-American culture in the 20th and 21st centuries. The module synthesises high-cultural and popular-cultural primary sources, reading them in the context of key critical and cultural theorisations of love, bringing together narratives of desire in three key contexts: ‘falling in love’, ‘staying in love’ and ‘love after love’.
LIT2045 Modern American Literature: 1865 to the Present Day (20 credits)
Modern American Literature: 1865 to the Present Day is centred on the study of a wide range of American literature that was written and/or published between the end of the American Civil War in 1865 and the present day. The module offers an opportunity to study American poetry, prose and drama within its historical, social, cultural, political, critical and theoretical contexts.
LIT2046 Pilgrims Progress: British Children's Literature from the 18th Century to the Present Day (20 credits)
Pilgrims Progress: British Children’s Literature from the 18th Century to the Present Day explores British children’s literature from its origins in the eighteenth century. The module progresses through the Romantic period’s celebration of childhood and Victorian ambiguities about the angelic versus the feral child, to the Golden Age of the Edwardian period and beyond into territory darkened by war, overshadowed by the implications of empire, and the oncoming of adolescence. The module will analyse the relationships between children and adults, nature, animals, class, gender, race and sexuality, underpinned by theoretical and methodological approaches to the history and representation of childhood in literature.
LIT2047 Producing a Literary Publication (20 credits)
Producing a Literary Publication enables you to make a direct connection between the subject matter of your degree and your plans for a graduate career. You will work collaboratively towards producing one of a range of possible literary publications while reflecting on and evaluating your ability to do so.
LIT2051 Special Author 1 (20 credits)
Special Author 1 focuses on a single author (such as Hardy or Dickens) or a related group of authors (such as the Brontës) whose works are sufficiently extensive to merit a whole semester’s study. You will examine the author’s work in the light of recent critical and theoretical approaches to authorship and canonicity and develop an ability to theorise the relationship between an author and his/her literary work. You will acquire a specialist knowledge of a literary period and a major writer through examination of the author’s development in relation to relevant historical, cultural and literary contexts.
LIT2052 Satire in the Long Eighteenth Century (20 credits)
Satire in the Long Eighteenth Century studies the works of what has traditionally been characterised as the ‘Great Age of Satire’, incorporating study of prose, poetry and drama between the Restoration and the end of the Romantic period. The module begins by situating 18th century satire within its literary and cultural precedents before proceeding to focus on the style, technique, politics, motives, purposes, targets and effects of a wide range of satirical texts.
LIT2053 Writing the Female Body (20 credits)
Writing the Female Body compares important textual representations of the female body in English Literature from the medieval and contemporary periods. Covering a range of literary genres, the module places literary works in their historical and cultural contexts and theorises literary representations of the body using contemporary gender theory. Using texts from both medieval and modern periods, you will explore change and continuity in the representation(s) of the female form over time. Contemporary attitudes to embodiment are vivified as part of an historical continuum and past and present textual representations of body read as signifiers of cultural values.
LIT2054 Writing the Supernatural (20 credits)
Writing the Supernatural explores the textual representation(s) of the supernatural (of ghosts, haunting, and the haunted) in key works of English Literature from the 19th century to now. The module focuses on three key genres – short fiction/novella, the novel, and drama – drawing comparisons and contrasts between their revelation of the supernatural. The negotiations of the textual representation of fear, as well as the dramatic generation of terror and dread, are central focuses of the module. The extent to which supernatural writing is culturally anxious, about, for example, issues of class, gender, race and faith, will also be explored.
LIT2055 Rogues' Gallery: Crime and Criminality in the Long 19th Century (20 credits)
Rogues’ Gallery: Crime and Criminality in the Long 19th Century explores the public fascination with crime, criminals and criminal law, so evidently manifest in the literature of the long 19th century (approximately 1789-1914). The module examines a range of literary genres associated with crime writing, including the Newgate Novel, the Sensation Novel and the detective story, in the context of the criminological and penal debates of the period. The module makes extensive use of digital research tools, enabling you to conduct your own primary research and providing you with valuable research skills.
LIT2056 Vampire Fictions (20 credits)
Vampire Fictions traces the cultural history of the vampire from the early nineteenth century to the present day, revealing how it can be considered a remarkably adaptable monster, found in a range of texts produced in diverse cultural contexts. Considering both canonical and popular vampire fictions, the module charts the evolution of the vampire, examining the multiple meanings of this figure in diverse historical and cultural contexts and through a variety of critical approaches.
WRI2019 The Graphic Novel (20 credits)
The Graphic Novel acts as an introduction to the contemporary graphic novel, examining the cultural and political impact of some key examples of the form. You will be encouraged to read these works as a writer, examining the elements of character development, structure, and use of research and developing those with specific reference to the demands and opportunities available in the graphic novel format. The module is both critical and creative. You will study examples of draft scripts for graphic novels, with your final assessment being a mock script for a proposed graphic novel, replete with artistic direction. There will be at least one visiting graphic novelist due to give a talk as part of the module and one visiting collaborative artist.
If you studied a Language module in Year 1, you may wish to study a further Language module in Year 2. This would form an integral part of your degree in place of one of the optional English Literature modules above.
DRA3102 The Contemporary Ensemble: Theatre Manifestos (20 credits)
The Contemporary Ensemble: Theatre Manifestos examines exemplary theatre companies from the 1960s to the present, exploring different ideas and strategies regarding contemporary ensemble practice. The module is designed to be an inspiring examination of the work of some of the key ensembles in the contemporary field of theatre. You will investigate the aims, principles and styles of performance of these ensembles and apply this insight to form a creative, imaginative vision of contemporary company practice.
PAR3104 Dissertation (20 credits)
Dissertation provides the opportunity for you to undertake an independent investigation of an identified area of interest within relevant fields of current practice. You will identify areas of inquiry according to your own interests and strengths, and negotiate the parameters for independent study with your appointed supervisor. You will apply your research to the creation of a dissertation, which may take the form of a performance, creative, applied or written project.
You will select one of the following modules:
DRA3101 Researching Contemporary Drama: Theatre and Postmodernity (20 credits)
Researching Contemporary Drama: Theatre and Postmodernity advances your specialised knowledge and understanding of dramatic theory and dramatic practice, with particular emphasis on developments in the art of the theatre from the 1960s onwards. The module is an intellectually challenging exploration of the work of some of the key practitioners and companies in the contemporary field of dramatic theory and practice, tracing some of the paths and directions that theatre is taking today.
DRA3107 On the Road: Enabling Better Worlds (20 credits)
On the Road: Enabling Better Worlds enables you to experience and interrogate interventionist theatre practice in diverse cultural, social and political contexts. Working as part of a group, you will have the opportunity to plan, create and implement a company-based practical project. This will involve all aspects of conceptualising, forming a sustaining an interventionist theatre company. You will generate an original company profile and devise a clear company purpose and intent. From applying for funding, through to project completion and evaluation, you will design and implement placement-based events which explicitly address the needs of an agreed target audience or client group. Viable creative and administrative structures will also need to be established.
DRA3108 Event Planning and Management (20 credits)
Event Planning and Management enables you to develop key vocational skills and understanding in the areas of event management, project design and business planning. These key themes of the module will be placed in the wider context of arts management and arts funding. You will explore and examine all that is involved in the professional planning and management of events in the field of the performing arts. The module also examines the practical strategies which make creative concepts succeed. You will work through speculative creative ideas and proposals, and consider the ways in which creativity can be facilitated through appropriate and comprehensive planning and management. This will ultimately enable you to put the theory of event planning and management into practice.
PAR3106 Arts and Enterprise (20 credits)
Arts and Enterprise is a theory and practice-based module where you are expected to demonstrate independence in the creation and implementation of an applied performance project. You will utilise skills of an independent practitioner, such as enterprise, pitching for work, project management and the articulation of current arts funding and strategies involved in the planning and delivery of a project. You will devise and deliver projects in a real world context and experience challenges in unfamiliar settings which will enhance your skills in problem solving, negotiation, collective decision making and liaising with client groups.
You will select two of the following modules:
LIT3040 The Victorians At Work (20 credits)
The Victorians At Work recognises that Victorians saw literature as a form of social commentary. This period survey module explores Victorian prose and poetry that addressed the pressing social and cultural questions of the period, such as the impacts of industrialisation, urbanisation, scientific advance and secularisation. You will examine the work of a range of canonical and popular Victorian authors and place their writing in the relevant literary, cultural and historical contexts.
LIT3041 The Victorians at Play (20 credits)
The Victorians at Play acknowledges that the Victorians are often believed to have been straitlaced and prudish but suggests that their evident zest for entertainment, sensation, consumerism, spectacle and scandal is frequently overlooked. The module examines the period’s interest in the sensational and the scandalous through explorations of topical questions of gender and sexuality in characteristic Victorian texts, charting how contemporary social and cultural issues were transformed into the subject matter of popular culture.
LIT3042 Modernisms (20 credits)
Modernisms develops your understanding and appreciation of the key features of early 20th century movements in the literary arts. The module will examine a range of different forms, styles and practices in order to focus on the heterogeneous interpretations of the term modernism and engage with ongoing debates in modernist studies.
LIT3043 Contemporary Literature in English (20 credits)
Contemporary Literature in English develops your understanding and appreciation of the key features of late 20th century and early 21st century movements in the literary arts. The module examines aesthetic paradigms relevant to the period including realism, the postmodern, late modernism and metafiction. The aim is to understand the continuations and reactions to the earlier Modernist period.
You will select one of the following modules. Alternatively, it may be possible to select this additional English Literature module from the remaining Year 3 options above.
LIT3034 Gothic Romanticism (20 credits)
Gothic Romanticism examines Romanticism’s Gothic impulse during the period 1764-1830. Each week, you will analyse key literary texts from the period – including poetry, and both prose fiction and non-fiction – alongside a theoretical issue in order to establish a critical vocabulary from which to interpret and understand Gothic’s many Romantic manifestations. By considering the historical, cultural, aesthetic and ideological background to this mode of writing, you will trace the ways in which the Gothic Romance is both a conservative and a reactionary genre, supporting and challenging our conceptions of the various dichotomies that define it.
LIT3044 Early American Literature: 1500-1865 (20 credits)
Early American Literature: 1500-1865 provides an opportunity to study a wide range of American Literature that was written and/or published in the period up until the end of the American Civil War (1865). The module offers an opportunity to study early American prose and poetry within its historical, social, cultural, political and critical/theoretical contexts.
LIT3045 Hosting a Literary Festival (20 credits)
Hosting a Literary Festival enables you to make a direct connection between the subject matter of your degree and your plans for a graduate career by engaging with workplace practice via a group project. You will work collaboratively to research, plan and initiate an in-house literary festival while reflecting on and evaluating your ability to do so.
LIT3046 Narratives of Nation and Empire (20 credits)
Narratives of Nation and Empire traces the narratives of the British nation, its imperialist encounters, and the rise of English literature, from the early modern period to the twentieth-century dismantling of empire. The module engages with the corresponding literary critiques and recreations of the colonial past. Through the identification of the intersections of imperialism and textual representation, the module will problematise traditional theoretical assumptions with regard to national identity and developments in English literature. Representations of Europe, the Americas, Africa and the Far East will be examined to determine how far they reflect on the contemporary politics and depict the figure of the other as a form of self-fashioning or critique.
LIT3047 Neo-Victorian Literature and Culture (20 credits)
Neo-Victorian Literature and Culture is a prominent form of postmodern popular and literary culture in which writers and directors re-imagine the 19th century through a contemporary lens. The module enables you to study prominent examples of neo-Victorian literature and culture in the context of recent critical theory. It will alert you to neo-Victorian practices of intertextuality, historical metanarrative and ‘writing back’.
LIT3048 Sex, Drugs and Rock 'N' Roll: Young Adult Fiction (20 credits)
Sex, Drugs and Rock ‘N’ Roll: Young Adult Fiction analyses the recent marketing phenomenon of young adult fiction, focusing on 21st century literature aimed at a specifically teenage market. Young adult fiction is characterised by its transgression of taboos. The module will be structured around an exploration of these explicit, illicit areas of interest. Alongside the sex, drugs, and rock ‘n’ roll of the title, the module will engage with representations of mental and physical illness, pregnancy, violence, abuse, economic and social collapse, and ecological disaster. Underpinning your studies will be theoretical and critical material on adolescence, contemporary literature, and the growing body of work on young adult fiction itself.
LIT3049 Special Author 2 (20 credits)
Special Author 2 focuses on a single author (such as Christopher Marlowe, Jane Austen or Angela Carter) or related group of authors (such as the Brontës) whose works are sufficiently extensive to justify a whole semester’s study. The module will examine the author’s work in the light of recent critical and theoretical approaches to authorship and canonicity, and develop an ability to theorise the relationship between an author and his or her literary work. You will acquire a specialist knowledge of a literary period and a major writer through examination of the author’s development in relation to relevant historical, cultural and literary contexts.
LIT3050 Sexuality and Subversion (20 credits)
Sexuality and Subversion is devoted to the critical analysis of textual representations of sexuality and especially of same-sex desire and sexual dissidence in British prose. The module focuses mainly on the novel, but also on key autobiographical prose texts, from the 19th century to now (with particular focus on the 20th century). It problematises perceptions that sexual radicalism originated in the late 20th century by interrogating its earlier textual representation(s). Texts, their contexts, and relevant literary and cultural theories combine to reveal the changes and continuities in the textual representation of subversive and dissident sexualities and sexual identities over time.
LIT3051 The Shakespeare Problem (20 credits)
The Shakespeare Problem asks what is a national poet, why is Shakespeare considered the pre-eminent author of the English-speaking world, what historical factors can account for the Shakespeare phenomenon, and what ideological implications might it have? The module addresses canonical literature but also questions the processes and validity of the canon. You will analyse the formation of a literary icon and unravel the enduring myths of universality and natural genius associated with his name. The module will also address questions of genre in Shakespeare, paying special attention to the plays which hybridise, destabilise, or subvert traditional genres, in order to examine an ongoing process of critical change.
LIT3052 Late-Victorian Gothic (20 credits)
Late-Victorian Gothic introduces you to the gothic revival of the late 19th century, focusing on gothic fiction produced in the 1880s and the 1890s. You will encounter both well-known and relatively obscure gothic texts and explore parallels between their key themes. The module examines gothic fiction of the period alongside contemporary social and cultural developments (e.g. urban poverty, crime, imperial anxieties, immigration, fear of degeneration, changing gender roles) and a range of current critical theories (e.g. genre studies of the gothic mode, theories of urban space).
LIT3124 Dickens and Popular Culture (20 credits)
Dickens and Popular Culture explores a range of Dickens’ work within the context of mass culture. This will include discussion of his journalism, plays and short stories as well as the well-known novels. You will look at the development of Dickens’ career as the most successful and popular novelist of his generation, who used a range of popular forms and conventions such as caricature, popular entertainment, melodrama, gothic, crime, ghost stories and reportage to investigate and actively participate in a wide range of contemporary issues and debates about Victorian society such as the family, the city, education and poverty. The module will also consider Dickens’ career as an author and editor of Household Words and All Year Round in the rapidly developing literary marketplace and Dickens’ status as a national and international celebrity. The module will conclude with a consideration of the Dickens ‘industry’ and the appropriation of ‘Dickensian’ in both Victorian and contemporary societies.
LIT3125 Speculative Fiction (20 credits)
Speculative Fiction critically and analytically considers a range of Anglophone speculative fiction published after 1895. The emphasis is on literary speculations regarding technological, environmental and social change and on encounters with the ‘other’, all contextualised according to relevant cultural milieux. Subject matter is likely to include a selection from utopian and anti-utopian fiction, apocalyptic literature, colonial and postcolonial speculations, time travel tales, space opera, philosophical texts, and works that question or problematise notions of gender. In each case, selected critical methodologies, including feminism, postcolonial approaches and other relevant theoretical discourses will be applied.
WRI3020 The Writer at Work (20 credits)
The Writer at Work places creative practice within its cultural and industry context through a detailed case study. focusing on the career of a significant 21st century author, who may be working in a single literary genre or across several, including script, fiction, poetry, non-fiction or electronic media. Examples might include Alice Munro, Alasdair Gray, Caryl Churchil, Iain Sinclair. You are able to study a writer’s body of work in greater depth than is usual at this level, while also gaining insights into the author’s creative and professional practice in relation to the creative industries.
If you studied Language modules in Years 1 and 2, you may wish to study a further Language module in Year 3. This would form an integral part of your degree in place of one of the optional Drama modules above.
Optional modules provide an element of choice within the programme curriculum. The availability of optional modules may vary from year to year and will be subject to minimum student numbers being achieved. This means that the availability of specific optional modules cannot be guaranteed. Optional module selection may also be affected by timetabling requirements.
Every effort has been made to ensure the accuracy of our published course information, however our programmes are subject to ongoing review and development. Changing circumstances may necessitate alteration to, or the cancellation of, courses.
Changes may be necessary to comply with the requirements of accrediting bodies, revisions to subject benchmarks statements, to keep courses updated and contemporary, or as a result of student feedback. We reserve the right to make variations if we consider such action to be necessary or in the best interests of students.
120 UCAS Tariff points, preferably to include Performing Arts, Drama, Theatre Studies or a related subject and A Level English or equivalent.
Relevant experience will be taken into account and all offers are made on the basis of an audition workshop.
Some typical examples of how you can achieve 120 UCAS Tariff points are detailed below.
- A Levels – BBB;
- BTEC Extended Diploma (or combination of BTEC QCF qualifications) – Distinction, Distinction, Merit (DDM);
- Access to Higher Education Diploma – 45 credits at Level 3, for example 24 credits at Distinction and 21 credits at Merit. The required total can be attained from various credit combinations.
Please note, the above examples may differ from actual offers made. A combination of A Level and BTEC awards may also be accepted.
As long as you have a minimum of two A Levels (or equivalent), there is no maximum number of qualifications that we will accept UCAS points from. This includes additional qualifications such as the Welsh Baccalaureate and Extended Project Qualification (EPQ), AS Levels that haven’t been continued to A Level, and General Studies AS or A Level awards.
For further information on how you can meet the entry requirements, including details of alternative qualifications, please visit www.edgehill.ac.uk/offers.
EU students can get country-specific information about the University’s entry requirements and equivalent national qualifications at www.edgehill.ac.uk/eu.
International students should visit www.edgehill.ac.uk/international for information on the entry criteria for overseas applicants.
Recognition of Prior Learning
Edge Hill University recognises learning gained elsewhere, whether through academic credit and qualifications acquired from other relevant courses of study or through recognition of an individual’s professional and employment experience (also referred to as ‘experiential learning’).
Previous learning that is recognised in this way may be used towards meeting the entry requirements for a programme and/or for exemption from part of a programme. It is your responsibility to make a claim for recognition of prior learning. For guidance, please consult the University’s Recognition of Prior Learning Policy and contact the faculty in which you are interested in studying.
What are my career prospects?
Typical careers for Drama graduates include working in the theatre/performance industry, working with professional companies, teaching (further training required), media, community or social work, theatre administration, community arts, and business. Alternatively, you may wish to progress to further study or research in Drama.
Typical careers for English Literature graduates include teaching (further training required), speech therapy, library work, media, journalism, arts administration, publishing, public and voluntary sectors, and managerial work. Alternatively, you may wish to progress to further study or research in English Literature.
How can I enhance my employability?
It is useful to consider, even before you apply, how you will spend your time while studying and make the most of your university experience.
Optional, additional activities may be available on this degree which could help to prepare you for a stimulating and rewarding career. These include:
- Sandwich Year – you may have the opportunity to apply to complete a sandwich year placement as part of your programme (usually the third year of a four year degree) and gain highly relevant work experience;
- Study Abroad – you may have the opportunity to apply to spend an additional year (usually the third year of a four year degree) studying or working abroad;
- Language Learning – you may be able to select language modules in French, Spanish or Mandarin, delivered at the Edge Hill Language Centre, as an integral part of your degree (for which you will gain academic credits). Alternatively, it may be possible to select the language modules as additional study.
Please note, the availability of these additional activities cannot be guaranteed for all students. Depending on availability and the number of students wanting to participate, there may be a competitive application process for sandwich year placements or study abroad opportunities or you may be required to secure a relevant placement yourself.
If you are a prospective UK or EU student who will be joining this undergraduate degree in academic year 2017/18, the tuition fee will be £9,250 per annumTuition fees for international students enrolling on the programme in academic year 2017/18 are £11,575 per annum.
The University may administer a small inflationary rise in tuition fees, in line with Government policy, in subsequent academic years as you progress through the course.
Subject to eligibility, UK and EU students can apply for a Tuition Fee Loan from the Government to cover the full cost of tuition fees. UK students may also be eligible to apply for additional funding to help with living costs.
For comprehensive information about the financial support available to eligible UK and EU students joining this programme in academic year 2017/18, together with details of how to apply for funding, please view our Money Matters 2017/18 guide at www.edgehill.ac.uk/undergradfinance2017.
Financial support information for international students can be found at www.edgehill.ac.uk/international/fees.
Edge Hill University offers a range of scholarships with a competitive application process for prospective full-time undergraduate students. These scholarships aren’t linked to academic success and celebrate determination, talent and achievement beyond your coursework, for instance in creativity, enterprise, ICT, performance, sport or volunteering.
Additional scholarships, which you may qualify to receive, reward outstanding grades and are available to eligible UK and EU students.
To find out more about scholarships, to assess your eligibility, and to meet some of our dedicated scholarship winners, visit www.edgehill.ac.uk/scholarships.
How to Apply
Apply online through UCAS at www.ucas.com.
Visit www.edgehill.ac.uk/applyucas to find out more about the application process.
Should you accept an offer of a place to study with us and formally enrol as a student, you will be subject to the provisions of the regulations, rules, codes, conditions and policies which apply to our students. These are available at www.edgehill.ac.uk/studentterms.
If you are considering applying to study at Edge Hill University, the best way to gain an insight into student life is to discover our stunning campus for yourself by attending an open day. You can view dates and book your place at www.edgehill.ac.uk/bookanopenday.
Alternatively, if you are unable to attend an open day, you can find out more about all of our events for prospective undergraduate students, including monthly campus tours, at www.edgehill.ac.uk/undergradevents.
Request a Prospectus
If you would like to explore our full range of degrees before you apply, you can order an undergraduate prospectus at www.edgehill.ac.uk/undergradprospectus.
Get in Touch
If you have any questions about this programme or what it’s like to study at Edge Hill University, please contact:
- Course Enquiries
- Tel: 01695 657000
- Email: firstname.lastname@example.org
Course ChangesExpand All This page outlines any material changes to course content, programme structure, assessment methods, entry criteria, and modes of study or delivery, implemented since 1st September 2015.
10th June 2016 - New Module Added
A Language module is now available as a Year 3 option, providing Language modules were studied in Years 1 and 2.
10th June 2016 - Change of Modules
DRA1101 Drama, Theatre and the Idea of the Play: Concepts, Cultures, Contexts (20 credits) changed from compulsory to optional in Year 1. DRA1103 Introducing the Art of the Actor: Text, Voice, Chorus (20 credits) and DRA1104 Staging the Play: Text into Action (20 credits) changed from optional to compulsory in Year 1.
DRA2101 The Modern Age of Drama: Forms, Movements, Modernity (20 credits) changed from compulsory to optional in Year 2. DRA2102 Modern Theatre Practitioners: Principles, Practices, Purposes (20 credits) and DRA2104 The Making of Modern Theatre: Staging Classic Modern Plays (20 credits) changed from optional to compulsory in Year 2. DRA2103 Modern Rehearsal Strategies: Process Research (20 credits), DRA2107 The Art and Craft of the Playwright (20 credits), DRA2108 The Art of the Actor and Rise of the Director (20 credits), DRA2109 English Renaissance Tragedy: The Theatre of Sweet Violence and Wild Justice (20 credits) and DRA2110 The Dramatic Art of Comedy: Making Purposeful Laughter in the Theatre (20 credits) removed as optional modules in Year 2.
DRA3101 Researching Contemporary Drama: Theatre and Postmodernity (20 credits) changed from compulsory to optional in Year 3. DRA3102 The Contemporary Ensemble: Theatre Manifestos (20 credits) and PAR3104 Dissertation (20 credits) changed from optional to compulsory in Year 3. DRA3103 Acting and Directing Reconsidered (20 credits), DRA3104 Theatre, Gender and Sexual Politics (20 credits), DRA3105 Theatre of War: Ideological Conflict and Political Commitment in Drama (20 credits), DRA3106 Postcolonial Theatres (20 credits) and PAR3103 Ensemble Production Project (20 credits) removed as optional modules in Year 3.
26th May 2016 - New Modules Added
WRI2019 The Graphic Novel (20 credits) added as an optional module in Year 2. WRI3020 The Writer at Work (20 credits) added as an optional module in Year 3.
20th April 2016 - Change of Modules
Although the broad themes of the programme remain largely the same, the vast majority of English Literature modules have been replaced by new/updated versions, with a small number of additional modules added. This new programme structure is being implemented from September 2016 entry.