Create. Innovate. Broadcast. We’ve designed this degree to place you at the cutting edge of the television industry. Learn to understand audiences and develop the technical know-how you need for life in the creative industries.
Why have shows like Hollyoaks, Euphoria and the Great British Bake-off been so successful? How are TV executives harnessing technology to reach new audiences? What should you consider when creating something for the small screen? If you’re keen to explore the answers, this is the course for you.
Studying with us, you’ll develop the essential skills needed for a career in production, such as planning, research, and content creation. Our expert teaching staff will train you on real-world projects, sharpening your creative talents, technical skills, and production management.
Our strong links with the television industry help us help you explore various exciting career opportunities. Employers value graduates with strong writing, shooting, and editing skills. Whatever your dream, we’ll help you make it a reality.
International students can apply
Learn a language option available
Sandwich year option available
Studying abroad option available
Work placement opportunity
I owe so much of my professional development to my degree. Public speaking and writing press releases, are all skills I learnt on my course.
Your first year of study will ground you in the essential skills of television production. You’ll explore multiple genres while looking back at TV history. Your course tutors will train you in a mix of practical and theoretical work, deepening your understanding. Other areas of study will include narrative storytelling and studio practice, as well as optional modules such as photography and global popular culture.
Moving Image Production: Single Camera develops your ability in relation to collaborative working and the professional practices and processes involved in managing a single camera production, from pre-production to post-production stage. The module provides you with the opportunity to combine the technical skills of camera operation, lighting, sound, editing and aesthetic considerations in the production of a piece of creative work. Operating within the conventions of fiction or factual production, you will work as part of a production team for some of this module, while also being required to work independently to develop and produce a range of documents that inform the production of the final moving image product.
Module code: MED1448
Narrative Storytelling recognises that good stories are at the heart of all television. This can be the story of the sloth (who ideally wants to stay put) making their painful way through the Madagascan forest to find their mate as Planet Earth II (BBC One, 2016) gave us, or the story of a mafia boss whose job is making him increasingly anxious (The Sopranos, HBO, 1999-2007). What these short summaries indicate is that often at the heart of the stories themselves lie key conflicts that are developed around key oppositional pairs. These conflicts are often played out in central characters, or sometimes in opposing ones or groups, such as the Starks versus the Lannister’s in Game of Thrones (HBO, 2011-2019). In this module, you will learn the basics of how stories on television work, develop your own ideas for scenes and overarching narratives, and consider some of the specifics such as notions of segmentation, serialisation, and series versus serials. The module will help you to understand that narratives are always developed for an audience and will therefore focus on the more prosaic side of script development, namely understanding broadcasters/platforms and other logistical elements of script preparation.
Module code: MED1462
Studio Practice introduces the practices and processes of working in a production studio environment. A series of hands-on interactive production boot-camps will introduce the core skills required for a television production, providing you with an understanding of how to operate professionally and collaboratively to produce a project in a studio context. You will also experience a series of workshops and lectures that are designed to develop practical skills for key technical roles. Through the process of creating short group productions, you will gain an understanding of the basic principles of studio craft including how to communicate professionally and efficiently with fellow crew, how to recognise hazards and minimise risks on the studio floor, and how to demonstrate an awareness of procedures through the creation of relevant production documentation.
Module code: MED1460
TV History: From Analogue to Streaming
TV History: From Analogue to Streaming questions whether conventional television is finished. It also asks whether we are all streaming Netflix, why so many people are concerned about the BBC potentially becoming a subscription service, and why there are calls to regulate streaming services more effectively. This module provides a historical perspective, but it also gives answers to the questions that affect what is happening now. Looking back to where television started and how it was shaped over the years allows us to form a better understanding of reactions to current developments, enabling us to evaluate the developments from a more informed, and perhaps more critical, stand point. You will investigate the early beginnings of broadcasting under John Reith, move onto the post-war development of television, and examine the ‘cosy duopoly’ that existed until the 1980s between the licence-fee funded BBC and the commercially funded ITV. The module will then continue to look at the explosion of channels from the latter 1980s through to the current so-called ‘multiplatform’ age. While the focus will be on the history of television in the UK, the close relationship between British and American broadcasting will be acknowledged, as will the role of British broadcasting across the rest of the world. The increasing convergence of the industries of broadcasting (radio and television), film and new media will also be examined.
Module code: MED1461
Working in Creative Industries
Working in Creative Industries introduces you to the various sub-sectors of the constantly changing and evolving media and creative industries. The module will develop your knowledge and understanding of economic and policy concepts as well as issues within the context of the media and creative industries. The aim is to develop your understanding of contemporary media settings, from industrial to political, scholarly and practical. You will examine the television, film, animation, music, print, performing arts and online digital industries while also developing research skills.
Global Popular Culture introduces you to a range of popular culture products and processes and encourages you to reflect on the relationship between national and global consumption and reception. As such, the module will examine elements of pop-culture from a variety of nations and facilitate discussions of culture, popular culture and global and national markets and trends. You will be encouraged to explore areas around convergence, the diversity of experience and the reception of popular culture.
Module code: MED1446
Photography covers the basics in digital camera use and post-production, semiotic and photography theory. As practical knowledge of camera equipment and composition are required to fully exploit the creative possibilities of visual media, this module is designed to develop your camera skills, technical competence, and understanding of composition and photography. It concentrates on the principles of stills photography and develops your understanding of the photographic image that will be fundamental in developing knowledge and understanding for all visual communication. You will learn how to use digital photographic cameras and consider composition, framing, colour and post-production. The module also outlines how to ‘read’ photographs and use theoretical models (semiotics) to underpin your understanding. All work will be undertaken using digital technology and basic training in the use of cameras and Adobe Photoshop will be provided. No previous experience is required, and all equipment will be provided by the University.
Module code: MED1447
Language 1 is ideal if you want to learn a new language, or further develop your current language skills, as an integrated part of this degree. You can study French, German, Arabic, Italian, Mandarin, Japanese or Spanish (subject to minimum numbers for your preferred language). Delivered at the Edge Hill Language Centre, the module will be taught in an interactive, communicative manner, using authentic materials in the target language. Emphasis will be placed on all four areas of reading, writing, speaking and listening. You will play an active role in the weekly two-hour classes, engaging in role-plays, short conversations, videos, authentic texts and listening materials. You will also be encouraged to reflect on your own learning needs. On enrolment to the module, you will complete a language induction form and be placed into a language level group appropriate for your prior knowledge of your chosen language. Please note, while we will endeavour to accommodate varying language levels per module, this is not always possible. While you can join the module with some prior experience of your target language, you will not be able to study a language you are already fluent or proficient in.
Module code: TLC1010
In your second year of our BA (Hons) Television, you’ll step out of your comfort zone and produce a wealth of creative content – from children’s television to branded content. Other modules cover TV drama, fan culture, festivals and production management. These contextual studies will help you to make informed and insightful practical work.
Children’s Television provides you with the opportunity to produce work aimed at this large, and growing, market. Children’s television production and programming is pivotal to the remit of all major broadcasters. Dedicated channels – national and international, terrestrial, cable and satellite – are constantly searching for new and innovative content. It is an area which demands a clear understanding of the different types and age groups of the young audience, whether producing educational content for pre-school, news shows for adolescents, or drama for young teens. It is also an area where narrative and stylistic innovation are welcome and where programme makers are actively encouraged to try new forms and experiment with delivery. Every major broadcaster has a dedicated website streaming trailers, as well as interactive and sample content. This module examines current children’s broadcasting in terms of its entertainment, educational and informative content, examines how to develop content suitable for a specified audience, and provides you with experience of originating and developing material for a children’s television project.
Module code: MED2357
Cultural Representations and the Media
Cultural Representations and the Media recognises that all media messages are representational constructions. The module enables you to gain a better understanding of the cultural and ideological constructions associated with representation. It also explores the politics of representation and systems of power. You will be asked to consider how to define representation, how representation functions within contemporary media and culture, and what role stereotypes play in the construction of reality and identity. You will analyse a series of key representational issues linked to themes such as gender, class, ethnicity, sexuality and national identity, to gain a better understanding of the cultural and ideological construction of, and politics associated with, representation. Studying cultural representations across a range of different media forms, you will gain the knowledge and understanding of various representational systems and theories in a variety of different contexts.
Branded Content will enhance your knowledge and understanding of the creative industries, running alongside the traditional television model, and develop your skills in producing high-quality and relevant branded content. Over the past decade there has been an enormous increase in the range, volume and quality of additional content produced by the media industries. Content such as second-screen apps, websites, webisodes, social media feeds, video extras, additional behind-the-scenes footage, online games and interactive promotions have added to the depth and richness of film and television as audience experiences. The module will develop practical skills in the conception, management and production of additional content, enabling you to create and design your own digital media content, fusing creativity with a brand message for integrated campaigns across a range of media platforms. You will learn about the broader contexts of transmedia/ancillary screen content and use this knowledge to inform your practice.
Module code: MED2332
Fan Cultures and Subcultures
Fan Cultures and Subcultures requires you to critically evaluate the development of a variety of media audiences into actively engaged consumers and, potentially, producers of content of their own. The module will focus on the rapid growth in the development of fan culture in recent years and situate fan cultures within the context of wider audience behaviour. You will analyse the history of subcultural modes of active fandom, dating back to the cultural revolution of the rock and roll age, Hollywood cinema and the development of television in the aftermath of World War II. You will also be encouraged to engage with research methods appropriate to the study of media audiences and subcultural communities, including quantitative and qualitative methods such as surveys, ethnography or focus groups as means of developing primary data.
Module code: MED2329
Festivals introduces you to the theoretical and practical aspects of festival conception, curation and exhibition within creative arts. A broad approach will be taken to examine the creative sector with the potential for you to specialise in film or television, if you wish. Covering the development of exhibitions and the practicalities of curating creative arts programmes and festivals, this innovative module enables a critical and applied exploration of this lively sector. It draws on the expertise of visiting professionals, such as curators, festival programmers and archivists, in addition to the rigorous scholarship of film academics, to provide you with the opportunity to engage with partners outside of the classroom environment and undertake case studies.
Module code: MED2349
Production Management immerses you in the role of a production assistant and coordinator to develop your production management skills in television production. The module will enable you to work on pre-production and production to manage a studio shoot. You will gain experience of the different stages of planning, pre-production and taking the shoot, while also receiving an insight into the associated contractual, financial and regulatory requirements. You will develop the interpersonal skills needed to effectively communicate with the range of personnel involved in the process.
Module code: MED2350
Production Placement develops essential employability skills through preparation for, and the completion of, a collaborative working practice with a third party from either the creative industries, the arts, the charitable or voluntary sectors. You will gain enhanced awareness of graduate employment opportunities, receive insight into effective career planning and preparation activities, and be able to explore a creative specialism in depth while furthering your understanding of personal development, self-promotion and reflection. The module will culminate with your contribution to the production of a media asset, or evidenced set of tasks, and ensure your awareness of the media jobs market is up-to-date
Module code: MED2360
Project Arts is an arts-based module incorporating collaborative working practices that culminates in the production of a media asset, based on a performance piece or an event. Collaborative practice is a key element of creative production and forms an essential part of the skillset required to work in the television and creative industries. You will work with an individual, group, or organisation, to realise a creative output based on a mutually agreed arts-based project. The content generated will mirror arts-based audio-visual content produced by a range of creative industry providers, including broadcast and online media producers, galleries and museums. Live recorded content will be combined with supplementary material in post-production. The creative process will be contextualised and informed by using industry-related processes of planning, negotiation and production management.
Module code: MED2356
TV Drama has become a highly influential global cultural form, dominating cultural conversations and becoming a flagship form in the media industries. Throughout television history it has been used to entertain, enlighten and move audiences. In its early years, highly influenced by theatre, radio and film, television drama quickly developed into a distinctive and striking form of its own. Its unprecedented reach to large audiences attracted talented and important writers, producers, actors and directors. Developments in television technologies and industries, in terms of production and distribution, have produced an explosion of television drama in the 21st century, and with it, a huge variety in genre, style and representation. This module will explore the history, generic variations, style and narrative forms of television drama. You will gain knowledge and understanding of the social, cultural and industrial importance of television drama, as well as a deeper appreciation of the creative culture from which it emerges.
Module code: MED2359
TV Studio Practice
TV Studio Practice further develops your skills and techniques in relation to studio production. Presenter-led links and live studio content will be combined with pre-recorded inserts to complete a group project. Television studio professionals need to acquire a highly developed set of skills that revolve around the management of projects, technology and people. This module will teach those skills in the context of one multi-faceted studio project. The process of coordinating a television show, while balancing technical and editorial demands, will promote an understanding of the principles of television production. This includes how to communicate professionally and efficiently, how to work to a variety of technical specifications, and how to demonstrate an awareness of procedure by the creation of relevant production documentation. Consideration will also be given of sustainability in television production.
Module code: MED2358
Language 2 is ideal if you want to learn a new language, or further develop your current language skills, as an integrated part of this degree. You can study French, German, Arabic, Italian, Mandarin, Japanese or Spanish (subject to minimum numbers for your preferred language). Delivered at the Edge Hill Language Centre, the module will be taught in an interactive, communicative manner, using authentic materials in the target language. Emphasis will be placed on all four areas of reading, writing, speaking and listening. You will play an active role in the weekly two-hour classes, engaging in role-plays, short conversations, videos, authentic texts and listening materials. You will also be encouraged to reflect on your own learning needs. On enrolment to the module, you will complete a language induction form and be placed into a language level group appropriate for your prior knowledge of your chosen language. Please note, while we will endeavour to accommodate varying language levels per module, this is not always possible. While you can join the module with some prior experience of your target language, you will not be able to study a language you are already fluent or proficient in.
Module code: TLC2000
The final year of your degree will bring together different strands of learning. Your research (or dissertation) project will help you demonstrate the expert knowledge you’ve acquired. You’ll also examine contemporary media practices. Other modules will include Multicamera Production, Short Films for Curious Minds, Telefantasy, and Non-Fiction TV. The mix of group and individual-based practical work will enhance your portfolio and employment opportunities.
Dissertation/Research Project offers you the opportunity to undertake an in-depth personal research project, under supervision, and explore a range of relevant research methodologies and presentational formats. You will gain a thorough knowledge of your chosen subject area and be expected to shape that knowledge to produce a final submission that demonstrates your ability to locate the material within the wider contexts of your discipline. The project will require the consideration and discussion of methodological and/or epistemological issues, as well as a reflection on the ethical implications of research. The dissertation will allow you to work independently, with a supervisor, to explore areas of contemporary academic interest, consider issues of current or historical industry practice, and critically analyse case studies or products within specific cultural and social contexts.
Module code: MED3299
Media Futures enables you to study contemporary media practices, the impact of technology on the creative industries, developments in global and local media, and the changing paradigms of media production and audience consumption. Contemporary media develops rapidly as new technologies are tested, explored and marketed and old ones gain new functions. This module, which is flexible to enable coverage of emerging trends, will engage you with the dominant themes which are present within the media and culture industries. You will develop a critical awareness of key themes including social experience and the shaping of media forms, as well as access, participation and engagement and the relationship between private and public spheres. By considering these themes through a range of different theories and research, you will discover a variety of approaches to enhance your understanding of a rapidly expanding frontier of creative and cultural practice.
Global Convergence: Film and Television Drama in the 21st Century
Global Convergence: Film and Television Drama in the 21st Century critically analyses some of the key developments in media, in relation to film and television fictions, within the context of larger developments in non-fictional forms. The module will enable you to gain a detailed insight into contemporary developments in the production of film and television drama, with fictional film and television drama continuing to dominate budgets and audiences in the film and television industries. You will examine how convergence, new distribution technologies, multi-platform environments and issues of global and local significance impact on film and television drama. You will have the chance to analyse the impact these environments have on the design and production of content, the planning of marketing strategies, the relevance of global and diasporic audiences, and the way serial forms communicate with their audiences.
Module code: MED3278
Multicamera Pre-Production develops your understanding of the pre-production process for an independent television production, equipping you with knowledge of the professional practices of production planning, research and management to be applied to a multicamera production project. The module provides a technical framework to apply to your television studio practice, enhancing your understanding of the television pre-production process and the professional practices of production planning. You will have the opportunity to investigate important production considerations and understand the procedures involved in the development of pre-production documentation. You will explore the principles of digital production, the scheduling and marking up of scripts, securing talent and setting up a casting call, as well as understanding the commissioning process and production funding, pre-production planning, independent research, technical roles, production management processes, health and safety, and sustainability in television production. The module will include content-related research, production management and practice, and studio floor and gallery skills.
Module code: MED3294
Multicamera Production offers you the opportunity to refine your editorial judgement within the production and post-production process, focus exclusively on the role of your choice, and produce a complex multicamera production for a specific audience in a designated format. The content should include live recorded material, pre-recorded inserts, graphics, audio and post-production packaging. The module will allow you to demonstrate that you have the skills to operate at a professional level within the television industries, by undertaking a television project of significant size and scope that will test your application of knowledge and your professional and creative potential. This will take the form of a group piece of work, enabling you to exhibit a great deal of creativity and flexibility and achieve professional standards, while also creating a substantial piece of work you can use as evidence when entering the creative industries.
Module code: MED3296
Non-Fiction TV encompasses a broad range of content, from news programming and investigative journalism to natural history documentaries, popular factual competitions, reality television, quiz and game shows, and satirical sketch shows. While television drama might occupy much of our cultural conversation, hour for hour non-fiction programming dominates the schedules. In this module, you will explore the rich variety of non-fiction programmes on television, consider the aesthetic, ethical and industrial analytical dimensions, and be encouraged to adopt a historically informed and global view of non-fiction programming, accounting for the social, cultural and political contexts from which it emerges. The module will also combine academic analysis with professional practice. You will learn about the history of non-fiction television, its industrial importance, issues of ethics and regulation, as well as some of the ways in which non-fiction forms have been analysed by television scholars. This knowledge will then be applied to the creation of a short-form non-fiction television programme, in a genre of your choice, produced to a professional standard. You will produce an academically-informed commentary alongside this project, tying together practice and theory.
Module code: MED3297
Short Films for Curious Minds
Short Films for Curious Minds requires the development and production of factual content for potential multi-platform delivery. Following a live brief simulation, you will develop practice-based skills in research, production and post-production on a module that culminates in the delivery of a piece of factual audio-visual content. You will produce thought-provoking factual content that aims to challenge and inform the audience, while presenting ideas in a digital-friendly and engaging way. Content for the films could include live and library footage, audio, still images and motion graphics. The module enables you to take ownership of a practical project, employ creative and aesthetic judgement in the selection of content, apply principles of editorial narrative development. and enhance your practice-based skills in research, production and post-production.
Module code: MED3298
Telefantasy develops your historical and critical knowledge of telefantasy, a TV genre that is typically speculative and has taken a variety of forms predominantly since the 1950s in Britain and America. As a genre, telefantasy reveals much about the society, culture and conditions of its production context, extrapolating thematic and ideological preoccupations. This module introduces you to the conventions and constraints of visual storytelling in televisual production. You will also critically consider telefantasy’s common function of reflecting upon the popular zeitgeist, encouraging you to interpret how social, political and cultural movements have been reconstructed through a speculative lens. Key conventions in the dramas will be explored, as well as dominant themes in critical approaches.
Module code: MED3295
Language 3 enables you to build on and develop your previous language knowledge in French, German, Arabic, Italian, Mandarin or Spanish. You must have either studied the prior language module in the previous year or be able to demonstrate equivalent knowledge of your target language (though you will not be able to study a language you are already fluent or proficient in). The language levels available will be determined by the continuation of corresponding groups from the previous language module. You will gain the language skills necessary to become a more proficient user of the language. Classes will be taught in an interactive and communicative manner using authentic materials to promote meaningful communication. They will be conducted in the target language as much as possible. Emphasis will be on speaking and listening, with appropriate attention also being paid to other communication skills. Other work will include a variety of tasks which may be completed in the Language Centre.
Module code: TLC3000
Optional modules provide an element of choice within the course curriculum. The availability of optional modules may vary from year to year and will be subject to minimum student numbers being achieved. This means that the availability of specific optional modules cannot be guaranteed. Optional module selection may also be affected by timetabling requirements. Some restrictions on optional module choice or combinations of optional modules may apply.
How you'll study
Teaching and learning is through workshops, lectures, seminars and screenings. You will also have opportunities to work with visiting professionals from the screen and television industries.
You may have the exciting opportunity to help bring Liverpool’s Sound City music festival to life. As part of an innovative partnership, Film and Television students at Edge Hill University are invited to film and edit footage of performances to create high quality videos of bands which are used by Liverpool Sound City to promote the festival worldwide.
Timetables for your first week are normally available at the end of August prior to enrolment in September. You can expect to receive your timetable for the rest of the academic year during your first week. Please note that while we make every effort to ensure that timetables are as student-friendly as possible, scheduled teaching can take place on any day of the week. Wednesday afternoons are normally reserved for sports and cultural activities.
How you'll be assessed
Assessments vary within each module of study. They include written essays and research projects including a dissertation in your final year, while practical assessments could include group and individual projects, case studies, critical analyses, and presentations.
There are no formal written examinations as part of the current assessment methods on this degree.
Who will be teaching you
You will be taught by an experienced team with a wide range of interests reflecting all areas of Television theory and practice.
Team members are active in the research of contemporary developments in television, film and online media and have current or recent experience of working in those industries. Partnerships with the Production Guild and the British Academy of Film and Television Arts also offer a number of opportunities for enhanced industry outreach.
Typical offer 112-120 UCAS Tariff points. No specific subjects are required.
If you apply to join this degree and do not meet the UCAS Tariff requirements, we may invite you to submit a portfolio of work as evidence of your suitability for the course.
BTEC Extended Diploma (or combination of BTEC QCF qualifications)
Distinction, Merit, Merit (DMM).
Overall grade of Merit.
International Baccalaureate (IB)
We are happy to accept IB qualifications which achieve the required number of UCAS Tariff points. Subject-specific requirements at Higher Level (HL) Grade 5 may apply.
Access to Higher Education Diploma
45 credits at Level 3, for example 15 credits at Distinction and 30 credits at Merit or 24 credits at Distinction and 21 credits at Merit. The required total can be attained from various credit combinations.
Please note, the above examples may differ from actual offers made. A combination of A Level and BTEC awards may also be accepted.
If you have a minimum of two A Levels (or equivalent), there is no maximum number of qualifications that we will accept UCAS points from. This includes additional qualifications such as Extended Project Qualification (EPQ), AS Levels that haven't been continued to A Level, and General Studies AS or A Level awards.
English language requirements
International students require IELTS 6.0, with a score no lower than 5.5 in each individual component, or an equivalent English language qualification.
If your current level of English is half a band, one band, or one-and-a-half bands lower, either overall or in one or two elements, you may want to consider our Pre-Sessional English course.
Should you accept an offer of a place to study with us and formally enrol as a student, you will be subject to the provisions of the regulations, rules, codes, conditions and policies which apply to our students. These are available at www.edgehill.ac.uk/studentterms.
Did you know?
If you join a full time undergraduate degree at Edge Hill University, we will guarantee you the
offer of a room in our halls of residence for the first year of your course.
Television students are based in Creative Edge, a state-of-the-art £17million building offering highly contemporary suites of outstanding facilities for the Department of English and Creative Arts.
Key features include TV studios with broadcast capacity and full production capabilities, recording studios, sound-editing suites, animation studios, photographic studio, radio studio and multimedia laboratory. Our innovative resources are designed to ensure you gain practical experience to a professional standard. Dedicated support in the use of all creative media facilities is available through our Media Development Team.
Where you'll study
Creative Edge boasts high-definition TV studios which come equipped with camera channels that can be operated via either a studio configuration or hand-held setup, production galleries and control rooms with reference lighting, a Media Asset Management system (Editshare) which ensures a seamless tapeless workflow and provides network storage for your work. There is a fully independent talk back system to all studio areas. You can expect to use industry standard equipment such as vision mixers, sound mixing consoles, a chroma key infinity wall, and fully populated motorised lighting rigs. Media editing booths are also available, equipped with software such as Adobe Creative Cloud (Premiere) and After Effects.
The UK tuition fee rate is subject to final Government approval for academic year 2023/24 entry. The University may administer a small inflationary rise in tuition fees, in line with Government policy, in subsequent academic years as you progress through the course.
EU/EEA and Swiss students who have settled or pre-settled status under the EU Settlement Scheme, as well as Irish nationals, may be eligible for the UK tuition fee rate.
Subject to eligibility, UK students joining this course can apply for a Tuition Fee Loan from the Government to cover the full cost of tuition fees. UK students enrolling on the course may also be eligible to apply for additional funding to help with living costs.
Please view the relevant Money Matters guide for comprehensive information about the financial support available to eligible UK students.
EU/EEA and Swiss students who have settled or pre-settled status under the EU Settlement Scheme may be eligible to apply for financial support. Irish nationals can ordinarily apply to Student Universal Support Ireland (SUSI).
If you are an EU student who does not have settled or pre-settled status, or are an international student from a non-EU country, please see our international student finance pages.
Your future career
Our television degree readies you for a successful career in digital production and the creative arts. This may include careers in the media and creative industries, film and television industry, project management, advertising, marketing, social media, or research.
Previous graduates have gone on to work for Lime Pictures, BBC Sport, BBC Bitesize, and college media departments. You’ll be ready to apply for a range of roles including:
audio visual technician
production management assistant
media production technician
Some of our graduates have also progressed onto postgraduate study in a related area, like our MA Film and Media. Whatever route you choose, our staff will support you each step of the way.
Every effort has been made to ensure the accuracy of this information, however our courses are subject to ongoing review and development. Changing circumstances may necessitate alteration to, or the cancellation of, courses.
Changes may be necessary to comply with the requirements of professional bodies, revisions to subject benchmarks statements, to keep courses updated and contemporary, or as a result of student feedback. We reserve the right to make variations if we consider such action to be necessary or in the best interests of students.
Track changes to this course
Withdrawal of Module - 17 January 2022
MED2355 Scheduling, Distributing and Marketing (20 credits) removed as an optional module in Year 2.